The "91601" dropping soon

• The collection sits at the intersection of trap music and alternative production aesthetics. It uses many of the familiar trap-elements (heavy sub-bass, 808 kicks, hi-hat rolls) but twists them with ambient textures, non-traditional melodic choices, and atmospheric layers.
   
• According to his site, The Real Adonis says: “In continuing the legacy of The Alternative Trap Music … I replaced the ‘808’ with the ‘91601’” — suggesting a deliberate variation on standard trap tropes. The Real Adonis
   
• The track-titles give a sense of cinematic or mood-driven pieces rather than straightforward rap-beat loops: e.g., “Beams and Silencers”, “Electric Smoke”, “Grey Kaleidoscope”, “Melting Wings”. Amazon Music
   
• The instrumentation leans toward dark, spacious, sometimes futuristic or surreal atmospheres — not just club/trap-banger mode.
   

Here are some of the major production and compositional features you’ll hear in the collection:

• 808/Sub-bass weight: Though he claims to “replace” the 808, there’s still strong low‐end presence characteristic of trap. The sub kicks and bass pulses anchor many tracks.
   
• Hi-hat/rolls & trap rhythm skeleton: As with typical trap, you’ll hear syncopated hi-hat rolls, snare/clap patterns on the 3rd beat, and rhythmic trap drum programming, but often embedded within more cinematic fabrics.
   
• Ambient/atmospheric layers: Many tracks feature pads, reverb-soaked sounds, background drones, unusual samples or “environmental” sound effects (e.g., “Sounds of the Ocean” reference on his site). The Real Adonis
   
• Melodic minimalism / mood over flashy hooks: Instead of big quantised melodies, the instrumentals often favour mood, space, tension, and texture — minor key or darker tonality is common. For example, titles like “Damaged”, “Delay Your Doom” evoke more of a cinematic or introspective mood.
   
• Genre‐blending and alternative touches: The “alternative” label is not just marketing. He mixes in elements beyond standard trap — woodwinds, xylophone, “wildlife” or nature sounds (per his website), non-straightforward transitions, perhaps odd meter shifts or ambient/hybrid production. The Real Adonis
   
• Vibe of tension + release: Because of the ambient elements and cinematic feel, there’s often a sense of build-up, space, and dynamic movement — less about looped bounce and more about evolving soundscapes.
   

• Vocalists or rappers looking for beats that differ from the usual “club trap” sound — something more atmospheric.
   
• Background music for mood-setting: film, gaming, creative projects where you want trap rhythm but non-straightforward instrumentation.
   
• Producers or listeners who like trap but want something with a little more texture, depth, and emotional weight (rather than pure party vibe).
   

• Because it leans cinematic/atmospheric, some tracks may lack the immediate “hooky” or highly-anthemic feel of mainstream trap instrumentals. If you want something ultra-catchy and simple, this may feel more complex.
   
• The “alternative” elements may make them less straightforward for typical radio-style rap songs — you may need to adapt your vocal or songwriting style to match the mood.
   
• With ambient layers and space, sometimes the drum drive might feel less “in your face” than classic trap — so if you want maximum bass-smash or aggressive bounce, you might need to boost elements or pick the more up-front tracks.